While I initially aimed to simply learn the tools and simply have fun with the output, I have come to understand that the audience should always be kept in mind even when one is only beginning to grasp the technology. It is never to early to consider how your work will be considered. As the technology has become more familiar I have fallen for the camera, though I must spend a great deal more time with it before I can pull truly expressive work from it. While my pre-production improves with practice, I find I can rely on my post-production skills to fill in the gaps, as my prior work with music editing has strengthened that end of the process. The next time I gather images and sounds it will be to produce short works that are as reliant on visual as audio as concept, aligning the three in the service of a social theme.
Currently I am most interested in collaboration. I have not worked with visual artists before and I look forward to it next semester. I could learn much from a partner as they could learn from me. I will try to reach out to other creatives regularly in an effort to build relationships from which work can foster.
It is a shame that I must limit my response to your final question to the premise of only $150 million, as that is no where near enough to purchase Google. So instead I would use that money to fund an online academy for youths, featuring workshops in technology and social influence. The students could take the courses for free from any where in the world, and would earn credit through collaborative projects with students in other localities, matching images, audio, etc to produce socially minded media as a form of international communication. With $150 I would do a single project with a global selection of youths that would end in a showcase of the resulting work. Just a simple example of the possibilities of what I think culture should be.
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